
Konji Pesalam
The film begins with the church father Amalan (Vijayakumar) lecturing the young man David (Vamsi) on what we should do to become a priest. David enters the seminary to become a church priest but he falls under the spell of the church singer Nivedita (Sreeja). Amalan then warns David to not lose focus on the spiritual life and tells him to choose church over the love if he wanted to become a priest.

Poraali

Maruthani

Blood Brothers
Two brothers, Charles and Thomas, who feel they are of superior intelligence, concoct a deadly game of murder to fulfill their devious fantasies, but doing so derails their relationship with horrifying results.

Ettuthikkum Para
Ambedkar (Samuthirakani), a social activist, gets involved in the dark side of the government. As a result, his son and friends are killed. A lower caste individual (Nitish Veera) desires to marry a girl from a higher caste. A woman (Chandini Tamilarasan)

Anything’s Possible
A delightfully modern Gen Z coming-of-age story that follows Kelsa, a confident high school girl who is trans, as she navigates through senior year.

Life Is Beautiful
A musical drama about a wife who asks her husband to help her find her childhood sweetheart as a birthday present. Though reluctant, her husband’s only choice is to set out on this journey with her.

Vanmurai

Taanakkaran

Vachathi

Radhe Shyam

Dharmaprabhu
Lord Shiva accuses Yama of saving the life of a criminal-politician when the latter tries to stop a little girl from dying. Yama is given a few days’ time to rectify his action.

Sabhaapathy
Certain circumstances get an innocent guy into a serious issue involving millions of money and his life turns upside down.

Thanga Magan
Thamizh’s love that develops gradually, damaging relationship with his cousin in the process, gets torn around the lovers’ conflicting ideas of where his family fits in their nucleus of life. The lover gets married to the estranged cousin, Thamizh gets a

Saturday Afternoon
An unprecedented terrorist attack takes place in a peaceful café in the center of Dhaka, capital of Bangladesh, on a nice Saturday afternoon. The terrorists use religion to divide and to kill people, while the surviving hostages, all of them also Muslims, try to defend their own humanistic values. The film unravels the clashes and contradictions of religion, ideology, and civilizations through a terror drama shot in a single take.

Thittam Irandu
